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violin; jerome Rappaport, piano, and -Gerald J<unz, viola. The Barrère-Britt concertino scensto 611il a gap in the* musical life of this country. extensve works for ýchamer music, outside of string quartets, are. seldom beard, althougb there. is au nubelievable wealth of repertoire, flot onIy in quintets, formed by the entire Barrère-Britt, concertino, but in quartets, trios, duets, and even soli The. repertoire extends f rom the pre-Bach ýperiod -wben -the--4fte was so much used in ensemùble music to the modems of today. Barrère-Britt: tbese two naines seeni to bave been hypbenated tbrough -the lives of their ownrs. Barrère, the flutist; Britt. the 'cellist. muet in their tender teens at the Paris Conlservat0ire, of Music aind played chamber music together while stilinl their 'Pantalons courts" (knickerbockers). In jùiy, 1895, they both graduated f rom the conserva- toire, witb. tlrst prizes on their respective instru- nwtýýA *wears l1uer, they were again ogether in the ranks of the celebrateci orchestra of Concerts- Colonflte, under the direction of Edouard Colonne *and Gabriel Pierné. In 1905, tbey carne to .Xmerica, alffd since tliat turne bave been united often in combinationis of cbamber *music. It. was quite niatural thiat they at Iast drcided to associate their efforts li an ensemble ini which tthe% could unite their parallel education antd experience. as well as their niutual artistic ideals. This wiIl be tbie'tlirdt appearance of NIr. Barrère awi tihe second of Mr. Britt under tlie auspices of Dccembel 13 bv th, April the M4rs. Sonnenschemn 's Jades Are on tExhibut Matbew Francis photo Miss Amter Edinger, 627 Garland avensue, Wi,,netk<,, was tise piaimist for the style shou, *ah l n i*ft e L Y1 S hre Aftthltitif ib iteirt'd#_v of this wzceek unîdcr thse sponsorship of thse Ifomeus of thse Rolary Club of Chicago. Several we'eks ago Mlise Edin.qer gave a programn of piano snubers for thse Cosmnos club of Niles Gen ter.. Since graduating fromn New Trier 111gb School 11933 the young artist bas doue quite a bit of pro- ssional .playuig, -accompanying and teaching on IDr. Schneider Lectures for Junior Musicuans D)r. C.0 Schneider, 1077 Cherry street, Win- netka, wbiose hobby is autochrorne photograpby, will itive an illustrated travel lecture on Brvce can- scebool auditoium M oniay cvecrnïlg, IJJcCtilter To ail outwar(l appearanices lie is the saniîe, ,cii;tl johni Charles Thonmas of 'ApplebISll'soms"fàlîîîe, for blis voice.StI li ssesses the golden. thril tlat -made .lthetiniec idl of aitarnw yof fanis. Bt t'>a lié is sonmething more tliait voice alîd nmile. his wOrk lbas taken on ila (leeIr sigiiicalice. 1 I <. i nuo ant artist' in the truc sinse of the w< rd . rin,. tative powers have giveii-bun the riglit t prece- clence 'in the rgank of Concert artists. Although success on the. iit .operaste ffrc greater finanicial reWard, Thon 'ias did w t -ite ýWhen it came to a chice for further arti>iàe de- velopillent. Tbe ilionoùtoliy qui sîgîig thé saille 1îîuî>ic d;t after day wvas unhleaable to nie," lie reinarkvcd. *oly stayed in musical. c(>me(ly to inake emni gh molley to get out and do the tbling duitt really iiter- ests me the most-concert siniging. ritr(. il, un- limited scolie for ant artist in a single l-cusî prograi, inwhich, hçmi,.;call 1po tio' t4 e Vr(e!,ctuni- self in twenty or mnore differenit tlo l called upon to niakec evcry artittic ceffort»" Thomnas as bon i ina snall Pnî,lai i~,u and began bis musical studics lt in Bahiý rvat 111te Peabody Iiistitute, wbiere lit \%a, a ptnpil of Adcllll Ferîini. 1lis first professional %work . vas in &'hrcdi nîuisic. lit this connection. Mir. 'Ilitoias enirks ~',' believe the singing (Àf duîrch nuulic s~~Id nuake uip part of everv singer's experiecc. It \%Ill nuque1c-- tionably give Ihlm ia fine teelinig i,r lgt>and ii In Joint Recitli .opeu: WIMT TIR 'L TKE