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colors, crayons, andi three pieces of sculpturing. appears one of the most cùmprehensive and stitnulating recent- ly sponsored by the league. The dom-, inant tone is brigbt, bold cQlor,, applieti witb streng th and in a number. of in- stances with originality'. Pecùliarly, however,* some of the most effective pieces are flot the. Most brillia nt. Reefed saiboats, docked at, sunset and. sending rippling shadows into, quiet mauve. waters, is,,*ubdue.-l, retiring and yet oene'of the miost suc-' cessful in the e'xhibit. The artist. is *Bess Devine JeWeIl, and the picture is a water color. Vigorous Water Colora Landscapes by Margaret, Kerfoot, and a floral study by Frances T. Bow- man are other dutgtanding watcr colors in the -show, but these are -of the vig- orous, startling type. Elizabeth Boynton Millard has> ex- hibitcd two original andi pleasant stili- life paintiags inhi l. Diesten. china figures placed in an outdoor setting and called "Pastorale" and rich, red glass- ware are the two subI ects. The brush stroke is soit and smooth andi the colors, rose andi red dominating, might almost be called appetizing. 1 Autumn woods at the l)eak of their beauty, andi a brown-skinned newsboy on a sun-baked pavement are twvo ois hy Fred W. Herlan which produce a feeling of satisfaction. The subjects iiian Phtinhricit of a summer lanascape, "Wood Roati in Maine." Kate Bacon Bond has on display one of her fine crayon portraits, done in a slightly different manner which clo)Sely re- sembles an oil painting. Garden scenes by John Leonard Hamilton are note- worthy for care fuI execution and fine feeling, as are two portraits by H. Peterson, and two street scenes by Ethel Louise Coe. Marcelle Vennemna, Julia Manierre "The quickest way out!" this valuablé, yet meéxpensive service. J5owinan Maij : JL%.Ci- Marie-