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to Appear Here During Winter By Rutbeda L. Pretzel North Shore patrons of music are graduallyv disc overing thiat winter Sundav afterno on s alnd eek ni.zhiti offer a numbher of musical attraction,, righit at tiieir ou-n front daors. Thanks to such urganiizatiotîs as the mot Shore Chaniber Nluisic asso- ciation and thée Winnietka Muisic club. *whichi sponsors the Artist-mRe-- citai series. great artists are i)rollglit to.the ilorth shore duirîingthe concert season. often in advance 0of Chicago appearance. * Recently- the- NorthI Shore Chaniber M usic association announced -its %viti- ter schiedie. wvhicli hegîns On Oc. *tober 18 with. a prograni b% .the * sca isclakoff ,string .quartet. and ends on February 7 witlî one h the London String quartet. Durincg the interini patrons will lîear the Muenzer trio andtihte Philharnionic String quartet. Pra4.e for Mshkf As soon as NMischia M ischakoff joinied the Chicago Svniiphion vor- chestra as concertnieister. hie began * organizing,. bis ýown quartet. hich, filled' the gap iade wvlîn theGo r- don Stringr quartet. nîoved ea.s.t. NIr. Miscliakoif is a vôting violinist -,voý is conanding nî1uch re pect anîd ad- miration for b is impeccable techi- nique,.l *is poise and smnoothlv sus- tained noôte.. He bas a.zest f .or play-« * ig which infuses whatever lie 4av ivith lighit and color. His quartet won enthusiastic praise froin critics even at its bis efrmne n after a yèar'sexsec altob surpassing a nuniber of .quartt., heard bere drn the past vcars., Daniel Saidenherg, a vouiîg cellist wbo ivas enigaged as first cellist 'oft tbe Chicago S Nîpilîoinv orchiestra last vear, is one of 'the ileml)ers of the *quartet. He lias. been. playinig at Ra- vinia, during the sunimer, and opera, patrons have, be en. con enting verv f avorably tîpon bis w armi toite andà great teclinical abu)litv%. Muenzer Trio Popular The Muenzer trio lias. of course. deepiv ensconced itseff in the esteeni Àx -e# " E4tWL K F UM' j *Mario Charnlee, ieading tenor of the Ravinia Opera company hia s dis-I covered an operatic "find" in LeRoy Gibbons of Paris, 111. During the *-ummller , Mr. Chanilee coached 'Mr. Gibbons between operatic rehearsals. anid encouraged himi to trv- out for.l. Schioiarshlin with thie Curtis institute of Music in ,Philadelphlia. Aý puinber of nortlb shorenmusic p)atronits ,lecamieinterest-ed in 11r Gibbons. %w-ho is said to. possess a voice . thich iil prove a sensation wlien lie, inakesis peratic debut according to Mi\r. Chiaiee. - Mr. Gib- bons Nvas accepted juist recenitlv as. a studett ofthie Curtis institute.%, here-. lie will have a' rigorous rouîtine for thiree. vears to prepare him for an operatic career. Speaking. of his protege, Mr. Chamîce savs .fr., Gibbons is "uc to iearn., lias agood stage presence. and w-bat is nmore inmportant, a voice w~iti w-bic-h a capable music teacher, cati do woniders." 1' *Mijile stud-ving with Mr. Clianîlee and attending the opera at Ravinia during the suminier, 'Mr. Gibbons re- sicled ini Glenc-oe. WGN Fînds Mila*n Lusk's Radio Recitals Popular With the coingi of Septemiber, Milan Lutsk,, wilnuette violinist, living, at 810 M.\icliîigani avenue, is now re- ceiving applications for a ltnmber of additionali pupils of the violin as bis scbedule for the autumn iiterni is now l)eing arranged, Mr. Lusk bias beeti appearing in a series of radio recitais over WGN cluring the. past few %veeks. Tt *igit be of interest to. quote. the introduc- tion of Mr. Lusk' s last Sunday broad - cast whie the anouncer at XVGN said ini part, "Mr. Luisk's ' eekiv re-f citais over WVGN bave been 'creatîng national, comment. X\e are receiving miucli mail- concerning--thern, from al parts of tie couiltrN,." , -%r. Lusk will continue to bebeard. over the air %vitbi the exception that the hour lias been changed from 11l:30 to 1 :30 Sunday afternoons, and be will be featured as the star of the Wurlitzer Prof. 0. Sevcik (lefi) of Vie»- nza, re qardcd ge>îcralv as the ztorld-*s for.emoôstaxithoritv, on vio- lin /'edagogv. is conîji;g to the UnitedStates titis mont!s 10 tcach a lim»ited course, ai the Associated Studios of Boston and Ncw York. Word of Professor Sevcik's returnl to, America after an absence of.eigbt years, lias been received by. Milian Lusk (right), ilmette violiist, a f rmer pupil of the famed teacher and now ,he authorized exeponent oif Professor Sevcik's 'method in this country. World renowned artists wbo lhave been puipils of Professor Sevcik in- clude Kubelik, Zimbalist, Leon Samia- tini, and Morini. Mr. L.usk wvas a scbolarsllîip pupil under the f amotis master in -thîelii- perial conservatory ini Vienina. Sys Opera Demands "More Than Singin g" * Claudia Muzio, wbio bas beenl re- engaged bv the Chilcago Civic Opera comipanv for tbe coming seasoni. said* to be "a Duse with the added. gift of sonig," MNadamie Muzio. a wvorld-famnous dranmatic soprano, combines stiperia- tive histrioîîic talent and vocal techi- nique tiiat amulitits to vîrtufosîtv wîitl a voice whicb ranks ;witii the great- est of "ail tinie. That conibination is found in lier art. The gifted singer beliéves that sucb talents entail a heavy responsi- bility. Shie feels tlîat far fromn ex- ploiting lier voice for a few -ears she Ili_A %psi "RALY " Stock Orchestra The trustees of the Orchestral asso- ciation announce the forty-first season of the Chicago Symphony orchestra, the twenty-seventh unider the conductor-' ship of Frederick Stock. ,ln making tbis announcement, '.thé trustee direct attention to some changes; being -ma .de which they believe' %vill * work to the -advantagc of both the orchestra and patrons: Due to changes taking* place ini living conditions,' means of transportation and civilization in general, it was deenied advisable to, discontinue the. Saturday nigbt series of symphony concerts 'and give themn on Thursday evenings inste.ad. By so doing. patrons, living at a dis-, tance f rom Chicago are no longer forced to imake a return to the city after the Saturdav afteriioon holiday, but nav remain ini town, enjoy the symphony andà returnbhorne witb noý great length of time spent in coming and goinig. In. turu. sotne changes have heen: ma(le necessary >in the other concerts of the orchestra. The popuiar concerts, hitherto played on aiterniate Tbnrsdax evepings. are now to be gPiven on Sat- ur(lav ûigh.ts. By doing this the con-. certs na%- be attenided hy the popular concert patrons without interferinig xvitb the- foiiowing day's activities, and in thceieves offer 'a fitting "week-ýend" i,ýart\- for tbem. These. concerts now enter their inipeteenth season. l'le voung Peon)le'ýs concerts.be- t.fr'r-e piaýved on >Plîursdavs, wvilf 14)' he rivetn on Wýýednesdav aftérnoonns. tThe Tuiesdav a fternoon côiicerts, now I Wuîn- inito their qevetb season, re- *tnapj îînc-hani-ed. Thev v,411lie preselnted n the second and fourth Tule.sdavs of)t each mon01th. Activities ofthe ChicagoSvphn orchestra-outside thé portais of Orches;- tra..hall include symphony concerts at the 1TJniver sity of;Chicago, and in Ml wàaukee.' Pitts,§bt.rgh, Buffalo, Columbus and Racine. John Charles Thomas to Return. to Civie Opera John Charles Thomas, barit one. w:%ill return to Chicago soon to 10oin the Chicago. Civic Opera conupanv .for t * Hear Spaniali Star -In order to acquaint patrons of this series with a new Chicago Civie Opera star, Conchita Supervia, Span- ish mezzo-soprano, %vill be iîeard one night. She 's a Madrid artist ivho *ha's raised the prestige of, the theater to a high level, and, she is- said' to be, * endowed with expressiveness of face, grace of movement and above.ail a Aliyra Hiess, n.ngnisn; ,pianist, wuil studv as to properly project.tbe voice close the series. She is" coxsidered and sing the notes of a great musical everywbere as the finest of living score. She bias worked just as hard wômen pianists, and the rnost - sport- perfecting the histrionic side of ber taneous mnusic maker anxong piatists characterizations* as she bias in de-- of either sex. . veloping the vocal. side. 'T arn not. ' Besides these two major cofîcert satisfied uniless 'I can feel myself.en- series, there are àlways a number of: tirelv the- person I1.arn representing, 1excellent concerts- and recitals 'spon- thiuku ir buhS, iig e sored by north slioreorga'nizationis. life." ,she concluded. inere comesUV mue iartL O the pertormer to interpret if and translate the marks into tones. And the art of tbe performer produces nothing but tones unless there exists the art of the listener to interpret tbeir rela- tion o ne to another, and, in1 a 'per- sonal, individual way, to recognize tbem flot as incoherenÏ jumble but as ordered sequenc:e."'