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40 WILMETTE LIFE November 15, 1929 Music News and Events Breytspraak-Heymar MuSic I Barrere Ensemble Program Wins Lofty Praise Appears in Chamber (Contributed.) Concert November 17 The program of Sunday, November The Rarrcre ensemble of "4ind in~t ruments is to present a Chamber musicnle at the Kenilworth Assembly hall ~ttnday . f~t'rnoo n , Xovcmher 17. at -t o'cll)ck, under auspices o f the l\orth :-;hnrt' Chamber ~fu s ic assPciation. The group includes George Rarrert' , flute: Carlos ~tullcnix, l·hoc; H.udnlph Pul<:tz. h orn; Fred Yan :\m burgh, clarint·t. and Angel Del Busto. hassonn. This group is taken from tiH· famous Rarrcrc Littk :-;ymphnny which compris<:s thirtt·cn members. This Sunday's cnncert was po:-.tpoued· irom \: on tnher 10. Thl' program fniJows : 3, was one of the most artistic heard in the hour of music programs at Shawnee Cot)ntry clul9. The close ensem ble work of the two artists, Ruth Breytspraak and \ Vally Heymar, was outstanding, for at no time during their program was there the slightest ,·ariance in tone quality. The interesting explanatio ns preceding each group added greatly to the numhcrs, whi<"h con sisted of modern classics as \\'ell as those of the olcl masters . Krei sler's "That Old Refrain." was giYen as one of the encores. :\rtlntr lkcker. who frequent1v ac c.:ompanies t h<> Pauli st choir, t1layed fault le~s accompaniment to the violin ists. 1. .-\ltlwugh the audience " ·as not as ~t·t ·c ·nadt· in J ·~ Fl ut ::\lmmrt large as t~:-.ual because the call of .\Jh·gTel 1\Wdt'l':tlo-..\ll<iallh' t ht: ottt-of -dnor s wa s rvident. those · ~ll'lllldto-.-\ llq.:To present felt their time more than well 11. ?.1 Ul'l'l tt· ... l'ft'iffcr spent hearing a program of such meri t. I Marcel Dupre in In Sunday Recital Organ Recital tit Winnetka Afonday "\larccl Dupre, organist of the Pads Conservatiore, now engaged on a tonr of America, will give a recital in Christ church, Sheridan road and HumboUt aYenue, \Vinnetka, :Monday c,·enin;2;. Novcm her 18. European and American mu sic;l l critics have been hard put to fi ncl enough ahjectives to de ~er ibc the great genius of Dupre. The London Sattlrda · J{cvicw called him "a Paganini t\f the org. a n," a «·wizard with hands and feet," after his epoch-making concc :· t at Albert Hall, London. American critics have lavished upon him nearh· all the adjectives in the yocabula,·\· , such as "amazing"_ccmusical miracle" - "unaccou ntablc phenomenon"-"! 1ft)fonnd ' ' - "uncanny"- "remarkable" ·"notc\\·orth.\'"-"splendid" and . o 011. fn perfection of ~chniquc, clarit,· t)i pcrinrmancc, Yaricty of tone -c(.)lnr. and pnrih· oi style, no organist can surpa '!' Dupre. according to critics, and fc\Y arc his equals in his gift nf extraordinan· mrmon- . In th e rare art nf ]mprn,·i:-.;l ti on, is said to stand alone. inre lltlnarahlc. ha,·ing been termed "ma , tcr ni ma ste rs." TalltlHtlll'ill )london,·ilJt · (Vboe. darirwt, ))a~~ooll) J I J. 1\:lt-int· Kamnwrntusil\ l'Hill llirHh-ruith Lu l't ig llla!" slg- ~e hrll'll -- \\':tlz e t ·- Huhi g urult: infadt :-;l'hndl \'iertt'l :-;t·hr Lt·hhaft JY. ARRANGE "IRIS" PROGRAM :\fiss Elizabeth Heath will pre se nt a mu sical program and talk on the ne\\' opera . ."Iris." before members of \\"ococlland :-;kt'tdw:; . Edward ::\lat:Dowcll the \\' innetka \Voman's club Tue sdaY L·'rnm an Jrtt li an Lodgt · · afternoon . ~ovember 19. at 1 :IS \\'ill o' th e \\'i~p A Ut'st'rted Farm n'rlnrk "\Irs. Harry L. Street is cltairFrom lJnde Hl'lltlls tnan of the mu sic conimittee.· '1'11 a \rild Jto~l' In Autunltl he Heinald \\'l.'rre nrath. \\'orld n'tHl\\"t1l'd baritone, will prl.' se nt a recital in th·: Studebaker theater Sunda~· aiternoon. No,·cmhcr 17, at 3:30 o'clock. He ap· pears under sponsorship nf nertha Ott. Inc North Shore Artists in Recital at Curtiss Hall ).! i~:-. (~ract? Parmele. sopt an . a teachl'r in th e \\'i nnctka Branch oi t11r CL)lumbia School nf ).fusic. and Helen Gra ,·es. pianist. ga n: a n :cita 1 Thur sday c\·ening in Curtiss hall. Fine Arts building. Chicago. The pn1gram \\·as as follows: Sl:'n·naclt· Li Ph t-s li1·tl J>roYt'11 t'illi~ <" he s ·.\uiJa<ll' 1:colldt· tit-s Lutills ~tlitt · 1 \'. (Fllllt', edJete, I'. til- \\"ai l!\· ( 'hl'istialt 1\:l'it·ti.:d<ll'illt'l) NEXT WEEK'S OPERAS I 'a!-<l't'llt.tiS~·-.)Iu:-:ettt:· - l\lintH 'l l t·J{lg·a udon-G ig ue .\ lill iat lll 'l' \ ' 1. . .... ... 1'111<1.,\\'!-' k\· · · I )fo.utlay, Xnn·mhn lH. when "La Traviata" will be heard for a ::.ccon, tinw. Claudia ~luzio f'inging t!J t' \'iol e tta, Antouio C'01-tis the Alfn·tlo ancl Oio\':tnni 1 nghillt· ri the f:ermont. 'l'tu·scluy, "SoH·mbc>r HI. will oeeur tlw tir~t J)Crformanee of the season 11f l'nceini'~ "L:. Tnsea," with Ho~:t H.a isa :IS 'l'oscn. ( 'h:ti'J(·S lla(')n·tt :t!' Cavar adossi, and Vanni-Marcoux in his fir~t JWrfot·manCl' of tlw y{':tl' as Daron :-;carpia. Hohc'rto :\Iornnzoni will ht · at tlw cotHltwtor's ~tand. " · t·tlut·stlny·. Nun·mht·t· 20 n(·(·nr·:-: ::\Tary Uanh'll's firl't p e l'ftH ·mnnct· in oup of her· beSt-lon·tl rolPs, th:t t 11f Fiora. in "The> Len· ~· of Th l'l'e Ki 11gs," )fontt' m<'zzi's g-rt·at mu~k drama. ltt' lll' l\laisnn will sing tlll' Avito, ('e·~an· Formklti the l\lanfrc1lo :tnd Virg·ilio Lazzari will r epeat his g r eat characterization of At·chiiJ:tldo, so familiar to Chieagel OJ>l'ra g-ot'rl'. l!olJ e rto ~Ioranzoni will (·ntHlud. Thurstlay t'lt'llln~-r. ~on·mht·r :H. will OITlll' the first })(' l'flll'lllHIH'e (If "Pit' \\.all\\H'I't'." ThPre is onlY Ollt· l·h:tll"t' from la ~t ~~·nson's 1·:t~t. 'l'ht-'odor ·· :-;track, tlw llt>W Cerrna 11 tl'llor. ht · iJl!~· assig·rh:{l the important role of ~ic ·:. murul. Frida Lc·idt·r· will again :-;i r, ~ tlw Bt' tll' llllhil<lc>, Eva Turnt->r tlw Si e·"·linde. l\laria O l ~zpws l' a th e Fril'lZ?t. and .\ lexan<1e1· Kipnis tlw \\'o tan. Tlw \·all\~Tit'S will be Thelma \ ·otipl-:a. P:tYio:-:k:., A lil- t· {(! h·nn:tllo\·, Claessen:::; , <.tam Platt, Co,· (.~ lad e, Ada Pag-g·i and C'onst:t Ill' (· Elwrha rt. Bg·on Po lla 1-:. the new U erman eond111.: tor. will b e at the stand. Sutnr1lny mutinN·, l\Iar·y Garden will m:ll\e Iwr second a J)}lt>:l t·a m ·p a~ wi II \~alllli<\I :~I'l'o ux . in t'haqwntit,'r·s l>eatlttful mustc.·al romann·, " l . . oui!-:l·." G<trcll:'n,. of c.·oul'~t>. will si n g· tlw LouisL', )lana ('lat·sst>ns tlw uwther Ht·tw :\l :lisun tht· .Julil~ lt atHl Yanui -~Ia··co ux till· fatlH·r. ::\lush-at J >ir 1·ctor <.~hH·"· io Pol:tt'l'O will cOJHltH:t. r:. ~!' h e thir<l gn·at popular P.ri<' e bill w~ll bt· a repeat of "Homeo :tnfl .Juliet" wrth. lr t> rH~ Pa ,· lo~l.;a a:-: Stephano. ll'C:'IIP Two Chicago Girls Given Awards to Study Abroad '1\ro vnung Chicago girls have been the lu ckv \\'inners of the Chicago Ci,·ic Opera European scholarships. They arc I f(·len Ornstein oi 2700 Ciddin~s street and Lydia ~[ihm of 12 Franklin a ,-rnue. Hin·r Forest. :\l iss Ornst ~in was horn nn the south side of Chira ·· 1 and ~fiss "\fihm ha" made her home,.,; ,: the suburban city of RinT Fnrc"t for severa l \'Cars. Thl' Chicago Civic Opna t·:uropv.ut scholarships provide for a \·car's stud,· ~n Ttah·, and. if . atisfartu.r.\' progrc..,·s ts made and adaptibilit _ ,. for a grand opera career is shmYn. a second \·car l)i study in France and Cennam·. follmn·d In· audition ;, for places in t (lt..' Chira~n Cirir Opera's personnel. The sc hnlarships arc . the gi it < i Samuel In sult, Stan t e~· Fie ld, Ernest R. Craham. Louis B. K.uppenhcimcr anti l·:dward F. S\\'ift. ~fiss Ornstein and ~fiss :\1 ihm "ill sail ior Milan on :r\ovcmher 20, wh ere arrangements have bten made for their reside nce and . ttt(h· IJ\· "\'[ r . Tohns<'11 and :\I r. Polacco. REVIVE DUTCH ·OPERA Recent l' ff orts to <:stahl ish a Dtttl' h school of opera composers ha \'C ca nsed a revival of Crclinger's opera based on Hcycrman's drama. "Op Hoop Yan Zegen." (the Good Hope), \\·hich deals with the life of a iishing village. A recently organized troupe , "'l'he t\t>therlands Opera. the Co-Opera-tic," gaw the opl'ra, with the composer as ronchtctor. MUZIO IN RECITAL Claudia ~f uzio. soprano of th e Chicago Civic Oprra compam·. is to he heard in recital Sunda~· afternoon. Nt)vember 17. at 3 o'clock in the Civic theater (Chica[!o Civic Opera huilding) . Bertha Ott. Inc., sponsors this a~J pearancc. Sl'hlllllill111 ~~·humann Hands Attract Interest to Artist at the Piano . \\'mthwp 1'. Tyron, ~l' \\' \'11rk mu n. ttr. t·h~l'rves in the ~ L' \\" ) ork 'Jtmt·-. tltat " !l ands. e,·idL·ntly, an: lle ce ·lltltlg me ·n· llllJH ·rtant th;m eit her hl·ad t·r . heart 111 ptatlll pt..·rft~rmanr<:. · lit· thmk :-. ;111 arti-..t s linger technique ltas a gn·a tt"r nttt'rL·:-.t ior JH:opk \\·ho attend ~·e·llct·~t.s than hi ~ thougln or · his fcdJllg . 1 ourh. l'XL'C tttlon and ·\\·ltatc\'er t:lse i:- inrludcd in th<: player 's Clltltact with tht· ke.' :-.. :-ot..Tli1S h · hold a larger signitic ·a tll..'l' I or JJ~tl'lll'I'S than IIH.'SSllg'l', ClltllJllllii .C;t tlllll Pr anything that especia lly JH: rt a i11:-. I! , hi:-. Zl',tl I or the mus ir, It~· :-ay .. .Ill' dncs nut :-peak oi th is as S(lll1\"lhlllg t11 ht· dl'plored. ho\\'l'\'t. ·r. "1t i:-. <t t;t:-r.nating lllallitestatiun and dc \"<:1 ~~P t.nellt, · h,· say:-.. " It s<.Tms t() me tn be a t(lrre that sa\'cs the piano from bring ;tltogdht:r rrlq~ated to disuse at a time of :-.nllcring loss of popular fa\'or. In a day oi machint:-madc sonuritie , ct:rtain m<:n arc. cal ling attention to the piano as a t~lachme the operati ng possibilities of wh1rh ha\'e un ly begun to be exploited." ~ll' Lif'cl l\Iaria l'armc ·lt · ltoiJI'rL ~laulonalcl nt th <: Piano T.f'O A l'it·lt:t . .. llandt' l Fantasia in C major Jlayclit \ 'ariatio ns in l<' minor ~t·hlllll:lllll ~on· lt tte, F major l\1 iss (; r:t ,- ~·~ .\n·il po~l' l't'~ pie d l t> nt~ l'aulin P'.-\,nnP .Jouant dP I' E~pinl'ttt : . nan·! <'hanson c.le ~oisettt~ . l>llllollt WsJh·tti .................. . \\'olf-Ft'rhri l 'n \ 'c·nli pradcl'lln Sf'l1Z<t piantt· E · tantc, v't> l' l'l'il'al ch'io ti !asci ::\!anoia ........... . . <'imara )!iss P:umeh· Sdwbert lntp rc·lll)ltu . · \ flat min(lr < 'Jwpiu ~~ll'tlll'llt · , F sharp ... . . ( 'hiiJ)ill .\lazurl\a, n minor· .. . ( 'hc.pi II H:dl:tdt ·. . \ tlat l\liss C: ra n·s I >reo: till \\':ts~ilenkn ;-;e·llg or th1· Little Fi~l1. ........ Art · n~ln· To Ont · \\'h11 l'a~st.> d by \\'hi~tlit1g· c ;ihb ~ ;-;pi·ol.; s . . . . . . . . . . . . . . . . . . . La Foq..;t · ~!iss Pa rnwl1· ~viH· rzillo ............. Ot'lt~lt·iil l'log Dance.... .................... 11 a11so 11 Uallet of the ll appy Spirits ... \ 'a I~{· J !ots('h:e rt .\laill:tl'ht Brahms nrilhms Hr:ehm~ :\lis~ ............ .. Gluc.-k-Fri e(lmall ................ Gaertrwr- Frietltn: til ~li ss Graves DEVELOPS FINE ORCHESTRA Arthur l~ odzin:-ki has j mt hq~un hi s rc:genry a:-. conductor oi the Philharl111.11lir 11rrhe:-tra in L o~ Ang-ell' ~. It 1s ~atd that th~ - orch<::-.t_ra has hn·n lmntg-ht to a m<t~ndtccm: e 111 pt-riormance unri\' alvcl in ib n·n·nt career. At hi:- first :\J a~·lil t'lat>sst>ns as tlw nurse, Hl"tH' conct·rt He ·dzin-.k i was rc·called again atHl ::\lalse·ll as Homeo, C1·s:u·e Formkhi as again t11 arknowleclg-e the blaze 11 t en- , L'aupkt and Edoual'(l Cotreuil a~ Friar La \\'l'l' ll t'C'. Emil Cooper will agai11 co nthu:-ia:-.tic ·~pp lau :-.e that grectL·d him. STUDIES IN NEW YORK ~~ i!->:- Paulitt<: l 't..·tt;bonl'. \\' ilmette pianist aud teacht:r (If )1iano, is in Xrw York this week making a s)H:cial ~ tmh· with .Loui:- Hor :-. t and the Dalcroz.e s!udio. Sht i. to present a pupils' re1tal upon her return from th e East. Provincetown Players Now Revive Gluck's "Orpheus" Cluck's "Orpheus" has been rc\'in.·d 1>~ tl_1e Provincetown Playhouse in the (,arn~k thcater, New York It is a I duct. tl l!d . The .Juli e t nf thi s performatH.:e \\'Ill be announced lat e r. .sundu )' n1u thiN·, X m···m ))('r 24, "Iris" wrll he pn·sented for a third time with an. Ul)changed (':tst which includes F:d1th Mason as lris, Antonio Cortis as <~~:tl.;_a_. Giaconw. Himini as Kyoto and' \ u·g·!·o Lazzan as tht> blind father "f In s. Hobt:>rto ::\fo ranzoni will coQ- · ~------------~--------~ theatncal piece that has weathered the ~to rm of changing sty lcs and still proves t_t sel f str_ong cn~mgh to stand up against I urtl~er mnovattons and revolution s, acCI lrdmg· to John Martin of the I\ t.:\\' \ ork Times. The opera is once n1(1rc a Greek tragedy. The chorus and the balk~ arc separated; the chorus, in decoratl\'e gr~ ups at t.he sides of the stage, merely smgs the lmes assigned to it while the ballet mimes the chorus ' r~.ction throughout the play. "The result " san ~~r. Martin, "is a remoteness ' which mcely reflects the character of the music."