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THE LAKE SHORE NEWS, THURSDAY, JULY 2, 1914. .....iinfiiim...............iiiiiM»HHi......in mm......nm.....n..............i......i.....mm.......tin......mini............nm....................immn I Chicago's Most Prominent Teachers of Piano, Music, Dramatic Art and Entertain© This Directory Will Appear in These Columns Once a Month, Clip It for Future Reference ■tiiMMfrMMiiiiiimmfMMimmii imiiiiiimim imii imiii m Carlile Tw ^Baritone PHONE HARBISON 255S 23 Auditorium Bldg. Chicago Piano College ANNUAL JUNIOR RECITAL. The recital given by the junior at Eols Blaclj Woodruff on Oldest and Largest School for. _ Piano and Thaory. Our Qrad-1 rupila ^ma*0r uates are In demand. I»tk„.„j. Modemto Rotes pi Tuition, Nineteenth (Thursday evening, June 11, at the 8lX™onCHVl^,"Et.tanor F. Godfrey, I «n*wo«i Country club was not a "The Answer"............ "The Dance"' ..........,, Bdlth Pollock Serenatn ^AnToroab';1.. £,*'< Souvenir »..."......--... Serenade ........t....... Lett Lowe- -AVPtty* .......■■:■»-.i.^-v. Beraice Hartke Directors. Fifth Floor Kimball Hall. 304 3. Wabash Avenue, Chicago. ' I startling success as a recital, but a Lilian Mary Stout Newcomb THE MACLEAN METHOD. . Xewcomb | (Copy&ht, 1914.) ■ Potted! ** Jua" C* Mkl^**n' Mm* D**tc> DrdUv The Maclean Ihethod of *olce de- . .Drdla! velopment and waal art Is based upon the development of vowel and con- Paid! a00*01 sounds. When we have said Ul-is we have covered the whole Old English Dance......7...SeymourV™?* ^TT^J^ SSJ^nSl Margaret WllkinBon development of these sounds.we have "Dance by Moonlight"......Whepley , «»»* '^SiSSw JSS?mS Winifred Relnboth j **ve developed the breathing muscles -Stvrlenno'• Burzmuller ***** l»roduced ota-8tici«>' m them and Styrlenne ^*g -- Jjjj Burgmuller, ^ «« membrnil0U8 ,lnlng of all •To a Dainty Dancer".........Warner'the air passages. \\e have also pro- Pauline Pettibone iduoed **»tMx* m *** ™uscles *th* Karganoff i throat, the tongue. tlu> jaw and lips. standing and the artistic results of study in that famous institution. The program was: Banishment Scene (As You Like It> ...................... Shakespeare Gertrude Woodman, Loretta Kvt- dera. Alice MacGregor. "Che Qellda Manir.a" (La Boheme) .......................... Puccini Donato Colafemtna. The Selfish Giant (Musical Reading) ...... •_»,..uL^t.* x-, .^^Qncar Wilde Klatne Gladys Johnson. Rhnpsodie Hongrolse No. 12------Liszt Mildred Ohlson. "M'appari" (Martha)......... Flotow Allen M. Weary. Scene and Duet (Faust, 1st Act). We have raised the bony structure of) .............j....... Gounod Just returned from Berlin; Modern. Edu cational Methods., Principles of Busoni.; However, the Fine Arts Building, Phone Sunpyside 8540 ably displayed ---------- ■ , Conroy seemed most instructive oastime. The pro-, ; gram, which was carefully arranged i "Schersino" ------.v...... ^mgVthe^^ torso, developed and strengthened. FaU8t ^^ CoMemi^ ' naps special menXt won a be hSS I Bertrand Hammond | *»£»«£* ^n? ZSonan* > ^istophel^, BdwlnC. Golbeck. Santa Lucia" I lisned " correct stanuint, jiosition, nno .,Vo, lo 8apete» (Cavallerla Rusti- !i.i other-words developed the instru-' cana)............ Mascagni and incidentally, collectively is due the entire class. | deserving to a few, but the writer IAlr Napolitain, from i feels that credit both individually and ! <for two pianos)...........Schultze j First piano. Agnes Seng, Dorothy: nient (voice;, Butz and Sarah Gallagher : musicianship. Second piano, Wilma Wagner, The foregoing statement Breathing, Voice Placing, Tone Building . Studio Interviews: Wednesday P. M. and Saturday P. M. 629 Fine Arts Building j HOWARD H. VAN SWERINGEN, Tenor finished product. musical talent So by Miss Katherine to have won the I laurels of the evening. Indeed, her | playing and technique, considering! her age, was, without doubt, a master- ly exhibition and only a forerunner I Katherine Fetrow of what may be expected from this i "VValtn..................... Edwards Doreen MacEnaney to \ Spirit Flower.....Campbell-Tipton Marie Walter, those ; Faust Waltz.........., .Gounod-Liszt The Conservatory of Chicago{{ Auditorium Bid*. kvssctHit MUSIC, Ah ling, ■.XplSSSIOll If you a»r tfitaessted in th« study of Mu.ic or Dramatis Art anddeesro to sew* the test »fructi..n availably iavMtiasie thocomhlr thg, acttoal baftw* <to;tdlaf wbmm l>i«. Cstttats*. comjinint t*U isreraieftea ««»f "««. Ao**ess,Wan©B rerhlas. Director. Bernhard Listei Violin Soloist and Teacher of Advanced Pupils s-rrnio* bio i ink artm nriLonra Wadueaoajre sod Sstutdoysrrom t P. M. ' Kc»i>l«>an«:ei I lulli-rton A»r..< )>upll when she becomes older--a more Marian Seng and Helen Phelan | unacquainted wlth,4lH- results obtained Emperor March ......Franz von Blon ! under this method would seem absurd. Raymond Kieft but these results have b«en obtained "Fluttering Leaves".........Koelling, and are being obtained dailv through following out Btrictly In every par- ticular, the instructions given. In every other branch of musical The audience was "Shepherd's Tale" Res. 1326 E. 47th St. Phone Ken. 300. Available for Drawing Room Programs. Inez Taylor Deeming ...tjofft... 2738 Woodbine Avenue, Evanston, III. Studio, S10 Kimball Hall, Chicago. Studio Phone: Harrison 6457. Residence Phone, Evanston 4723. EMII* LARSON Piano Organ Theory STUDIO: 304 KIMBALL HALL Residence: _.e737_Pereje_Sz.^:_ Rogers Park, Chicago Telephone At Studio Rogers Park 4714 Thursdays well pleased and gave many evi- dences -of their approbation and de- light by loud and generous applause. The accompanying artist, Miss Zela Lowe, violinist, a member of the Red path Lyceum bureau, delighted astounded the audience by her play- ing, which was expressive and artistic. Her numbers were selected from some of the most difficult composi- tions, yet her tone and quality were as natural as the artist herself. Miss Lowe can easily take her place among our leading violinists, yet she is still studying conscientiously. This com- ing summer she is going to take a private course so that she may master The violin stnrmorerfullyT Of Miss Lois Black Woodru.T toe mucli cannot be said, as her pupils showed to the delight of the audience --mmmmmmmmmmm^--mmmmmm•«■mmmmmmm j tnat j,er teacliing knowledge Of Illltaic g^ I » *5*««a.-- i ranks her as Chicago's leading chll- UStfOVOSlty lllStli;il*ejt,ren>s teacher. Mrs. Woodruff gives Musicians* Hand Development tc her pupils her undivided and care- u«d and «connn«,ded by ziirbsiist. Arthur j Jul attention, and owing to that she Shattuck. Edwin Schneider. AuguatoCottlow | instills not Only the art Of music in and othor prominent artists. i their souls, but also keeps them in 513-M suinway Halt Wibi*k 1M9 j such a 8plrit of environment that eachL Director Bex Underwood, 64 E. Van Buren Si. j pupii looks upon Mrs. woodruff as ■ | her mother. The hall was very artistically ar- ranged with Japanese lanterns and smilax with beautiful and fragrant Wilma Wagner "Youth and Joy* ,. Nevin .Schytte Marjorle Johnstone. "Vesti la C.lubba" (Pagliaccl)..... ...................... Leoncavallo •Viva il Vino" (Cavallerla Rustl- cana) .................. Mascagni Donato Colafemina. An audience, which filled the An art, constant and proRressive changes j ditorlum Recital halt; gave every evl- have been made in methods of in- j dence of interest and approval. Sev struction as well as in the manufnc- j oral of the numbers were so heartily Anna Groff-Bryant. I Anna Groff-Bryant announces two summer uornial sessions, one of~sfx weeks and the other a three weeks' course. The special feature of inter- est* in the courses will be the vocal clinic, which Is for the purpose of treating or correcting the defective vocal condition in either the speak- ing or singing voice. Every phase of known vocal abnormalities will be tinted. The special artistic feature will be weekly recitals. Admission, to the vocal clinic or song-recitals and [All Branches Of MUSIC musical may be had by- asking for | leuest ticket at the Anna Groff-Bryant Studio. «0« Fine Arts building. Chicago College of Music Esther Bants, President "Skating"................... Kullak I ture of the instruments used. In j applauded that encores had to be Marjorle Marshall i vocal art. the same methods are being Tzigani Dance No. 1...........____ | used today by teachers that have been "!"," J ................Carrie Jacobs Bond used for the past 300 years. The so- Dorothy Butz j called "Italian"' method, which really Scherzo. B flat..............Schubert i v as founded by a native of Flanders, Agnes Seng ] is the title given by most teachers Venetian Serenade (for left hand j to their methods, though if one will alone) ................... Hoffman | take the trouble to investigate, one Valsc Arabesque ......,........Lack i v.Ill find that .every teacher of the Sarah Gallagher ! "Italian" method is teaching a dlf- Mazurka ..................M lynarskl I ferent method. Lela Lowe Marchc Mllitaire (for two pianos) ....................... Schubert --------First piano, Agnes Seng and Sarah Gallagher Second piano, Wilran Wagner and Marian Seng ARTHUR RANOUS BARITONE Studio: 430 Fine Arts Building. Chicago Phone Harrison- 1595 808 Reba PI.. Evanston, Phone 3432-J The writer of this work had the ! good fortune to study with the three , greatest exponents of the Italian I method, and each one of these teach- i crs claimed he tauKht the "pure Italian method," yet I may safely say, i without prejudice, that in studying ! with them I studied throe entirely dif- j ierent methods In every respect but | one, and that was, that neither of j these teachers thought of doing any- } thing whatever to Improve the tone [quality, but accepted the voice as it ; was brought to them, teaching it ... hJ scales, opera roles, etc., also without Conservatory were held June ±<> at the consl(,t;r,ng enunciation Comedy theater and the following pro-. to the auriience the story told In the gram was givenj^ j opera or „<)„£ _£ Overture ..................Orchestra, Now> remember, I nm not by any Vocal--"How's My Boy?"......Homer < moan8 finding fault with these three Herbert De Landc Woodard. I really great coaches, and I learned a Act--"The Trap" b?a^*r^al^iai«»mJb!am xsgArdln* •With Mrs. Woodruff. HENSHAW CONSERVATORY. The twenty-fourth annual com- mencement exercises of the Henshaw Maurice Oevries. Sir. Maurice Devries. singer and tracher. whose Chicago studio was located in the Auditorium building, died in Chicago on Thursday. Mr. Devries was a brother or Mr. Herman Devries of the Fine Arts building and n* one time was a teacher in the Chi- cago Musical College. given. Diplomas and teachers' certificates were conferred by the president, Mr. Walton Perkins, with well chosen and interesting remarks. The conservatory is now hooking i largo number of pupils for the com- ing season and an attendance which will task the full cnpacltv of the school is already assured and it seems that an increase in space will be a necessity. J. Courtland Cooper. J. Courtland Cooper presented Miss Mi.uionne Meeker in a song recital at Auditorium Recital hnll, June A, 1M4. at 8:3u p. m. The recital was largely attended and was a most de- cided success to both the pupil and her able teacher. Catalog Matted Free 422 KIMBALL HALL D. A. TJOMSLAND Tenor Specializing In the restoration of fantng voice* due to bad method. RESIDENCE 1234 E. 61st STREET. SOS PINE ARTS BUILDING A. Alfred Holmes With Mnd*l*tahn Catstrvatory «? Mmtkt i. Its Floor. llcCtori tidf. :u tests Vasroi -----------Tsacwsr of tares experience, esse 20 years of Huecrnnful trsehinav . PIANO ORGAN HARM0MY garden. The hall was packed to over flowing, and in order to accommodate all, extra chairs had to be placed. In order that our many readers may better determine the' selections which were played by these chil- dren we are~going to IncTudeirThb pro- gram, which follows: Program. Suit*500 Alhutcum Bld£.,5J> Es:t V«n Burtn St. J Duut. "Qavotte"...............J?etrle Chicago Bertrand Hammond and Laurin plants distributed here and there, so j "!*'Ahe la" J°.^d_ ^1J*?*£!* I Written amTstaged b/WllHam Dwm. tSu^nToTthe uSlisrT^p"era7 also" CHARACTERS. 11rom Randegger the best traditions Mary Malone J. COinm.AND_COOTER -nw BEB1IN= Natural Method of Singing Phsae Harrison 7033 OSCAR DEIS manicurist........ ..................... Viola Vernon Mablc Perkins from "Poddsvill"------ _iiS,........,..,.,... Marie George A Cadet of the Underworld........ ..................... Glynn Taber The scene takes place in the office of Mary Malone in a Chicago sky- scraper. Denman i Vocal--A tors e lui................ ; "The Larks"...............Ellsworth j........... from Travlata (Verdi) Elizabeth Thompson Bel Gallaher Wooster. of "Oratorio;" from Krauss the best traditions of the "German Liedor." From RubinI, the third one, I not only I received the benefit of Jlls coaching, of having 'The First Robin". Ethel Pattillo . Rogers Pupils Received j 81 Auditorium Bldg. Bess Leone Bradford Concert Pianist, Accompanist and TEACHER Studios: 716 Fine Arts Building Michigan Avenue 5328 Blackstbne Ave., Phone Midway 237S The MeGlure-Fivey Studios of Expression and Dramatic Art 510 Fine Arts Building Beatrice Baxter McC 1 ure Helen Hesd Pivcy Classes and Private Instruction Recitals and Programs furnished Concert PianiSt j Plantation Melody.....Hannah Smith Louise Durham "Dance Lightly".......Jessie Gaynor George van Dyke Duet-- "Boatman's Tune" .. .Crosby-Adams "Springtime"............Ellsworth Mary Katherine Conroy* "Song Without Words".......Spindler Margaret Klein "Jack in the Pulpit"............Kern Eleanor Stevenson "Sunset".................. Eckhardt Virginia Hartko Duets-- "Scherzo" .................Diabelli "The Skylark Mounts the Blue, Blue Sky" ................Swartz Edith Pollock* "Angel's Lullaby" .........Krogmann I Vera Megelin "An Indian Camp"...........Cadman j Georgo Kershaw Minuetto .................... Porter j Anna Schott "Sunshine and Shadow"......Lemont; Marlon Murray "Dancing Daisy Fields". .John Mokrejs Virginia Hooper ■-A Serenade" ... ...........Oaynnr Lois Black Woodruff TEACHER OF PIANO JENNETTELOUDON SCHOOL ess nst *mt* auii.0i*o --___»■»» Waits Will r*SSiWa*lfttl--------- RESIDENCE STUDIO, 858 EASTWOCD AVE. '- pmonc ravcnswood esse SPECiSL AnEKTION 6I1EI'TO 10UN6 CHILBREH METROPOLITAN Conservatory of Music The highest standard of musical art maintained. Education in all branches of music. Junior and Senior Choral Classes. Orchestral Classes. Recitals by pupils. Harrv Dimond Blrtctort Leroy Wetzel Violin Voice 603 KIMBALL HALL CHICAGO Opera--"The Bohemian Girl"------Balfe DRAMATIS PERSONAE. Count Arnheim (governor of Pres- burg) .................Glenn Stark Thaddeus (a proscribed Pole)..... .................... Emile Follmer Florenstein (nephew of the Count). ................... William Young j great Devilshoof (chief of the Gipsies).. ................... Antonio Kaplln Captain of the guard........ .M. Tappo ofTu-i-r ..............Francesco Nlkko Arline (daughter of the Count)... ..................... Janet Malbon P.uda (her attendant).Frances Cowan Queen of the Gipsies.Anna Hope Gray Chorus--Nobles, soldiers, gipsies, re- tainers and peasants. Scene--Presburg on the Danube and vicinity. I'iano--Impromptu ------...... Chopin Helen Victoria Ryan. Vocal--Waltz Song--from Romeo and Juliet .................. Louise Krause. Quartette.....from Rigoletto (Verdi) Bel <;allaher Wooster, soprano; Ade- laide Lewis, contralto; Tom Hughes, tenor; Arthur Deane, baritone. Address--Benedict J. Short. Presentation of diplomas and ccrtlfl Katherine Montgomery Bissing Music Studio j catcs and conferring of degrees I Marvin Hinshaw, director. j Drama--"Her Gloves." CAST OF CHARACTERS. t bUt through7 the , fact coached with him, the entrance to the leading Italian opera houses was granted me. I did not realize when I began to sing In public after my study with these and other teachers, that I was not fully equipped vocally to go on with, my Hie. .work as a singer, until I endeavored to sing Eng- lish^ In my work with them, I had used the Italian vowel sdund, "ah." almost entirely In the preparation of songs, opera roles, oratorio roles, etc. When I asked one of theae gentlemen. "But the words?" he answered with a deal more force than polite- ness: "The words are Of no Impor- tance. Vocalize, vocalize!" In presenting my first oratorio role in public, I determined to try to tell the story of the oratorio, in so far as my lines gave me the story to tell. In other words, I tried to sing my words understandlngly so that any ons might know what It was- nil abouL, I seemed to succeed, judging from the comment hi the newspapers and musi- cal journals, but I succeeded at the cost of my voice. Just another one added to the many thousand who reach the top Of the ladder, and then Verdi 1fa" <>rr- !,:l<1 ! De<n sat,H,lt'tl to con- tinue vocalizing (singing notes only, with no thought of the text, or very little), I might probably have none on for years, like so many others have done, but I can truly say that my loss of voice was one of the best things that ever happened to_me. bo- cause without that experience 1 hliouitf Miss Lillian Mary Stout Recital. The following program was given by the pupils of Miss Lillian Mary Stout on Saturday afternoon. The Individual as well as the col- lective work of the pupils clearly demonstrated the natural tone and equality possessed by each pupil owing to the careful training and ef- forts on the part of their teacher. The program was as follows': or Oie giving[ Ja'gdllM ..... .TTTr.^7:... Schumann George Cooke. Tanz-Vergnugnen .,.,..,' Scharwenkal < Isabel Joan Watktns Hunting Song................ Paid! Scherzo.................... Armand Albert Edgar Goodrich. Bugle and Drum..... rr7TT.^e*bpeck Hunting Song................Gurlitt William Pinkerton Watkiss. Kutseller mid Pferd......Sclinrwenka Alice ltodis?er. Fur Ellse ... Emily Watt. Veglein...................... Grelg Mary Cooke. Marcho Mlgnonne..........t.Poldini Dorothy Schmidt. Sonata, G Major........Moxart-Gretg Allegro. Andante, Presto. *=- "■ For two pianoa. Mabel Holman and Miss Helen Frost. Morning Mood................ Grelg March of the Dwarfs..,.......Grelg Margaret Ruth Enlette. Polonaise, C 8harp Minor.....Chopin Miss Helen Frost. Prelude, G Minor.......Rachmaninoff Miss Zora Shonkwiter. Venitlenne................. Godard Second Mazurka ........ Salnt-Saens Helen Bone. Andante-Schcrzettino......Chaminade For two pianos. . Margaret Ruth Enlette and Miss Zora aiionkwiler. by [never have made the investigations | v. hlch originated and developed the j Maclean Method of Voice Develop- ment and Vocal. Art, which has not VfOLm-VOIClV-PIAMO-HA«MOMY!Dora Ruggles, in loue with Clocum only restored my voice, but made It VIOLW--VOlC»--rutnw xuwawns w vivlan Van Alstyne! possible for me to sing and to teach WW^tSatfW Others to sing with splendid tone, and Petrawltsch Bissing, Violinist. Inttsltl WelfsT, tffrfM [ ...... Marguerite Marlakc j perfect enunciation of any language. Mrs"Ruggles. wife of Jefferson... .1 Including English. (Fron I'rlratf eBgatretBeflta ■ollclted; aaparate or joint l>n>graraa. 50O Klmbsll Ball, CHICAGO HinshawConservatory All. IIBAXC'IIKH OF MUSIC AMD ...... DftAMATIC ART One of the largest inland wirolesn sUUOns in the United States will be erected within a few months at the Great Lakes Naval Training station at Lake Bluff according to Information which has just been received by Cab- tain George R. Clark, commandant. Two towers, 400 feet In height, will be built and equipped with sufficient uora Hurless h-M* Method," published by The Mac- pbwe, fo transmit message*) from CM- Robert Slocum, a friend of the inm- [*«■ Bi^ooti m%) Hy ...,...........Frank LauerraAnl Walter Dillingham, a dealer In real j Msnry B estate ...................J» Mtlbur Jefferson Ruggles. his father-in-law. ,.............. Glynn Taber Select--«ccred>t^-r-thr*opsh--*yBtematte. {Catalog ami KaamUiaUinw free. Arnc- J- Hinshaw, Mannger. MMfsoss-Charley Brooks, BM KSMBAU. HALt. CIIICACO a neighbor........ .......Odin Helnsar VelealcARyan^aia-actress. Elsie Grant Elizabeth Brooks, wife of Charley.. mmmmmmmm^f^mma»«».^«Ba«*Walo^BaW«W*^a«Mslia«a«MBB»J"a«a^^ _____^____ [..'., . . .._____^____ . . -. ; SSolfl 'afasMajMI ~4} KATH ERINE SC H USTEK, VOICE j Ji« '^ a' ^eaVrical ^snager.. :hicssro Teacher-bora DutyJones Method of LYRIC DICTION Mt««*ib»rl«eser«rt?r'»< leWMrfatoeeS^^^'^Sm^^SiZmxit taa ■«#« I al«itart<i: b**a ezoavtM**) ft Tbo AodMoehim Bldg.. Chicago April*, Ul George Milter Staged under the. direction of Wit* liam Owen.. PliK.p-Homn Of the Dlllinghams. New Rochelle. N. T. Time--Month of May. Roney. Mr. Henry B. Roney ,oC 558 Wei- Hngton avenue will leave early In July for his summer home on <t1o- gtbic Lake, Upper Michigan. Mr. Roney will return early In September and resume bis lecture engagements the training of boys' voices, v. hlch has been his life work. Conservatory of Chicago. The annual concert of the Conser- vatory; of Chicago demonstrated in the most unmistakable way the high ANNA GRCJFF-llitYANf Studios tf Vocal Arl and Education Twu Summer Normal Seesloas. one of (Urn W.-.-h» rtinl one of Three w«*ke, will ln> run- <luct«d ilurins July aail August. Kor Intor- iniktliiii address ANNA 6R0FF-BRYANT, Buiunaalctiie*** HUCE RADIO STATION FOR LAKE BLUFF SOON Two 400-Foot Towers Will Be Erected at Naval Training School for Wireiess. cago to San Francisco or other distant It will also be possible with the ex- traordinary equipment to be placed in the sky-piercing towers to relay mes- sages between fleets on the Atlantic and Pacific oceans. Vessels which givo the "S. O. 8." at any point on the great lakes will be able to receive aid on "Boys, from. Cradle to Manhood." because of the long range attalaable prof esslonai singer% by the oqalpmoat to be Installed training station. With the large wireless outfits in place, it will be possible to train many youths who attend the training school, for wireless operators. A capable in- structor will be engaged and kept at the station to teach the recruits. Concert Pianist Available for Concerts, Recitals, Musicals 519 FINE ARTS BUILDING CHICAGO Phone North 3663 HERBERT MILLER BARITONE Vocal Instruction: Oratorio, Recitals Chicago R. GRATZ COX In all its Branches Phone Harrison 4865 419 FINE ARTS BUILDING Frosolono Sig Antonio VIOLINIST Director Of the Illinois Theater Or- chestra. Orchestra may be engaged for concerts. Arrangements can be made for Violin Recitals and Musicals. Also private lessons by appointment. Residence Studio. 1827 E. 44th Place Phone Drex. 6070 THOMAS A. PAPE KIM HAM. HAM. Choral Conductor- Teacher of Singing ZUKOWSKY vhh.in school ttl I Inr Arts B*HaHSw ___ Zakawtki trio E*t»timmtt: MM-Jan. 4-18; f.b. 22: Meh. *-« rIW4 Melba Mae French DR. FREDERICK C L» A R K ■ ------ Baritone Vocal Instruction Srsttnr m< pass it Cladst f. Sap] 83 Auditorium liuildinf M. EILEEN LONG Bklaflsrl Mildred Wentwart SOCIETY ENTERTAINER (lesartastttsM, laaiiiiBts, btbh Shiiu, Eav}; Private instruction in Pupular Entertaiaiar. Oral KaeraMtee end Kndtab; Owhlae. 51 Bellevue Place, CHICAQCv Superior 8546. Russell School of Musk ANO DRAMATIC ART. " -- TtrJlne-Jwt*Btdg. 23 Rood Bldg.. Evanston, "5th St. and Vlncennos Road. Voice, Piano, Violin, Dramatic Art. i • if i rtiv i Ls Ju A V> VIOLINIST Untune* A4va»e*J P»pi!t $2.04) Hit Mss»: 4.00 limit H--r Studio: 422, 59 East Van Hares Strmt CHICAGO Prof essor Alexander Sdk STUDIO 81 AUDITORIUM BUILDING S«iaw»y Hill. Chiceo, lit tOLOlST VIOLINIST. ELOCUTIONIST. PIANIST BSterMasMrM r»rni»hwi for Coneena. K»«»|.tiix> t of !•*•*»■-InSlTldoal auia**esur««ilr« procrtwua. j 4123 Ellis Irtnut rnatt Oakland 4365 i.'WMh fa* CtoMrrt*. CSolr. 1 oiro. sp«ciit tl»»>i a«*<4 JKatss t«r*s;*ss t Mtitltm Btfftsml Vocal Aft (Maclean Method), Dramatic Art, Expression, Oratory, Languages, Theory of Music, Dancing, Ere. Play, ami Oorease C*M**4 Trt. Itagrflsam ?55* MaM Srtsa*l la C.mmmH M^^ATflKmsfaftTOm^ ?f,^2L'T*' V. si. lUCLZSK, A. St., wet, «H a. mmm*«*s>,«**•■ A Page Where You Can Reach The North Shore