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^'"•>T?-fi«™<'«i«P5.'? Chicago's! Most Prominent Teachers j Piano, Voice and Dramatic Art &®2 This directory will appear in these columns one* a.montB. Clip it forjffeti»re reference. MAURICE v TONE PRODUCTS MBTBOPOl.mJOMjAOO.^ ABXKBN, LONDON, tTKB8 -.' ± n-ufi "TBAIJtiNQ, ORATORIO, CONCERT, SHTlTAMAif, GERMAN, PHKNCH STUDIO: te Audltoritim Bldf, Sherwood | Music School Founded tar WavB.1 712 Fiae ArtjBi CE0RG1A KOBE*. WALTER! ifgf Director Point Publici tory, S« tgan, Harmony. Counter iition, Vocal, Vijpm» Music, Mxa^g^, of Expression. :gf ;|fa #S»:«; For catalogue address ^JESSIE K, READgf •'."â- '::': A Business Manager yflO S. Michigan Avenue Richard?, ClK Studio rtoite .Voice m ^ 1/â-  FINE AfiA BIDING ^410 S. Michigl#Aven»c - Chicago ALBE.RTE. RUFBp I ^OICE^eyCtJj^lST [ islMfi wirtau mOF .'rf M,nl^JP28 1 ProfeJ^lti**: I p,.«hb Cowles. WISSt Stolts, Chaa. H. Bart. K&cS.etc. Booktatmafled. Georgj W. Munr; Voice SpecMtst I School lArt ibash Avenue Chleago Telephone, HarrisCm 2256 sopr/o vyvypB Comp°ser I 608 FinjAArtl ijiildinf Phone Hirrison 6880 Rudolptj. Engberg i/BJHJiTfNE 627 Fine Arts •JdlnLi "CHICAGO Reildence 'Phone Lincoln 483 STUDIO: 610 FUlEK/TS BLDG 410 MICHIGAN BLVp. Mptt Lonnsl SKital, Club and wiring Room, Httruii. V -Passage Til. tarri«M 4117 3$£ «rE.MII PiijtfsJhtted foi^rfjurch, R.eci|fltn Concert, Qj torio, sjfd Opera. Fouwchoroughly equip- ped Jpssistants. Pupils bowed at any time. Iff. Munro tests all voices and supervises all work. Daniel Protheroe Teener of â- M;:;':m Choi 610 Fine Art* an/Ec ompoaltton. ndsjsjffng Idlng CHICAGO >LA COLE iMIST^fnd 1&ACHER FIVE ASSI^T^NT TEACHERS 427 Fine Artt Building CHICAGO GRACJtV GROVE 609 Fine Arts Building Chicago William G rison 6880 View 3054 CONCERTS "£i RECITALS Wm. ClareJiall ORJJâ€" tullding, Chicago Fine -A CERT, ORATORIO, RECITALS PUPILS ACCEPTED Tj&TOWETTE LWMISCHOOt OF MUSIC KM JCNMCrnLMIVOON. DlftKCTOfl HnMmbI*. Violin. OTTOB. BOL BELLE MaoL_ ibenec.fkaI ida 0hren8t john palmer m«M Art* fejv:;'PhOn« RMftala. CHICAGO irrleeit 6633 WiM. L. Russell at _ ___ Classic sad ttdtatkMac ^^omwm^VM^t^ â€" s»-te ateaaw \Lr EILEEN LONG ^ TANGO Li^L-J^ tfMJB' fZES s|sftz. ataw-eWp. rtr. Open Day and Evening Power* Building, Suite I30I, 37 S.W«ba»h Ave. Cor .Monroe 3t., C hicago Phone Ctntraf 3452 '. B. Macquiey studio Room aurris* VW'"*â„¢ PfeOMWIlmettoM % ItaeWenw Phone 248 WAMOOLIM ALSO TAUdHT THR LAKE SHORE Ngwa* THURSDAY, WQVEMBER a, 1913. fifi e; JrVherefbre of Dancing Lilian Mary Stout ^returned i'^^^KJ^^P Sdonal Methods. TnncpIS of Bi-om. Fto, Art. Binldiaf, Ka« l«W*?i5 BArtT |r/Wm. Kuntze A^HowardJiarrett SSWltorriaoH i-r.THE THE AR1 -^flnian. >5 MAC BURNE UDIOS •tepWateG^ HAllSoN*^0 . Bv M. EILEEN LONG "Grace," they named their first-born â€"a Puritan pair In old N«w England. of whom my grandmother used to teU me. And why not? The littie one en- tered the world with every deulrable physical gift. - Sturdy stock, bred by generations of right living, showed In every curve and dimple of the pink, healthy little body. The baby's birth- right was happiness; bat not her la- heritance. Her name was "Grace," but physical grace they never taught her; for, remember, they were Puri- tans. "Inner, spiritual grace" was the only sort that fell within, their ken. To them the gentle art of dancing, which is the soul's spontaneous out- ward sign of inner grace and happi- nessâ€"dancing, which,, teaches the child to be at ease with hie fellows- dancing, which sets comeliness upon the plain-featured and grace of mo- tion upon the awkwardâ€"to them dancing was a sin. f How King David "danced before the Lord" was clean forgotten by these well-intentioned folk. Their notion of a well-ordered existence was as the prophet Malachi phrased it, to "walk mournfully before the Lord of hosts." So little Grace grew to womanhood as might have been expectedâ€"quite belying her name. Shy, self-conscious, retiring, lacking wholly in, self-posses- sion, the poor little tad' suffered year after year the stining torments of self- realized awkwardness, of conscious inability to measure up to the grace and poise and self-command ef her companions. HaP-pJer Era Dawns. The antithesis of this picture is to be seen today in countless homes of a broader, happier era. The present age recognizes in dancing a wholesome recreation, and recognizes also the human's inalienable right to recrea- tion. Ruakin defines labor as "the contest of the life of man with an op- positeâ€"literally, the quantity of lapse, loss or failure^bf human life, caused by any efTort." if our life be all ef- fort, all struggle, all outgo of physi- cal and nervous energy, with nothing of repose, of amusement, of upbuild- ing In physical strength and spiritual force, what does life amount to! The old proverb "All work and no play" is grounded in the experience of the race through all the centuries. Again, Rttskln might easily have been speaking of dancrngr * when- he said, in the same connection, "The most beautiful actions of the human body, and the highest results of the human intelligence, are conditions, or achievements, of quite unlaborlousâ€" nay, of recreative effort," '* Dancing" a True Art. < Dancing, however, • is far more than a recreation, an amusement. Suiting the motions of the body to the rhythm of a musical accompaniment has been recognized from time out of mind as an art, and, by the same token, profi- ciency therein always has been deemed a desirable accomplishment. "Histor- ically viewed," says Emerson, "It has been the ofHce of art to educate the perception of beauty." And again, "painting seems to be to the eye whit dancing is to the limbs,1' How frank- ly those who think most deeply over the problem of child-training have ac- cepted this view of dancing as an ac- complishment is shown by the action of the New York board of education, which has. introduced dancing-classes In the schools of the metropolis. It is the writer's Ann belief that this view will spread widely in this country, and finally will prevail here, as already it prevails on the continent and in Great Britain. Our readers will not be compelled to make allowances for the present writer's enthusiasm for the art to which she Is devoted. The en- deavor is, as you will have seen, to cite worthy authorities in support of every view advanced, and it Is grati- fying that the consensus of eminent opinion should provide aach an em cheat, that he "stacked tb* eaWa^for a game of solitaire. "â-  J The answer to erUtdam Is to frown on the objectionable, Hot by any means to frown on a dance that com- prehends such elements of pure beauty. The duty of preserving these new dances in their ideal form rests equally upon Instructorsâ€"to teach barraasment of riches for reference and quotatlonj^^g^^pftj „ _ When a^phHwpber of tlw^ rank of <£e7ou*"ht""to""teac'h^and "upon their John Locke, for example, bears teetl- pupilsâ€"to reach out for the ideal and mony to the value of dancing in any encourage those who teach them in complete scheme of Klucation, surely pursuit of the same Idealism. we are warranted in listening! WhUa â€"__________'â-  - â- '" according to dancing (or "musical' HIN8HAW CONSERVATORY. he2SM2J!!LC,!;!,t " iT*" f *â- Â» »*«• Coiwrv*tory «»rolls| healthful exercise and a means to „,.„- 0^^^ pupii» tats season, 23^£,2.^5€2Si th*t *****"-** °» H""**^ Ooawnratory. reports â„¢iâ„¢f^L2 ?"!***£*â-  X.I* »•**» enrollment «f puplto eomtag SHV^S?-* ^ b°dy; that'! nrom other towM and stateathaa«wr SSlf.!?^?nJ!? mei;\OUtWafd *•*>'• m4 while ths aeasoa la «d- ij^efulness of ^motion, butinanly, rmn<xd ^ ^ time waaa the larg- womanly thoughts and a becoming ^ enrollBIiBJt fa «,«. ^ »*» ** confidence. dents from a oistanoe ava coming la I should like, had I space, to dwell each week. Arriving thta weak were for a column or two on this positive ytr. Helmer Johnson of Wisconsin, moral aspect of the art of dancing, for Marie Barber from Baataekr, mat it is a source of happiness to devote Carlson and Miss Oppeahelmer one's life effort to an art which one PminsylTania, and Mrs. Redltok from sees to be ennobling, refining, and New Y«rk City. Mrs. Redllck constantly productive of good. Rell- studied several yean la New York gion, when you analyse it, is such an City and waa advised by Mr. Hunt, a ordering of one's life as make's one's well-known tenor, to complete her self better, one's fellow men happier, training under Mr. Marvin Hlnsbaw. and the world a less miserable place â€"......~ ' •'"'•-----â€"â€" to live In. The essence of religion 1«| ..gpi|;:^OPflNa STUDIO. IfflS^ kindliness; for kindliness sweetens Miss Bess Leone Bradford wlsnea ito the spirit of its possessor and moves announce having taken a studio at one to acts of benevolence toward 7ie Fine Arta building. She has Just others. Anything that takes the boor- returned from Paris where she has ishness and the churlishness and the been studying under Theul Belmham original sin of congenital, ingrained and also In Vienna with that celebrity selfishness out of folks, seems to me a Theodore Laschetiaky. Miss Bradford strong moral force in the world; And has also successfully appeared in pub- who will deny that dancing, aa It uc concert work, trains the child in the social gruc&\-MjMM:^M-^-':- > . ;•'.:â- â- :" ';' "•g^|ff§|; and the conslderateness genUef61k' rV' RECITAL. habitually show for one; another,,,a>! Second faculty recital given by the compliahes exactlyâ-  tta*?^^/.-^^ of Music and Dramatic 'P [Art at the Calvary M. E. church, &m*iSfl| Music and >fymim^ fkia aireetovy w*fl ipftaar ease a stoat*. CUp it ffs« jntatieewliawns , latat«aelaveaea*: â-  â- m VOCALIST • *â- ! i TA ltlJPFO>S MASTER£4*UQ/\*SIM, RECOHHENDS hamiltc»mWw mAi^lTAUANWOM PRQBUatOm HOURS DAILT: 10 M It. VL; * «• *iM P. Ifc WIS* A»fa BlDO. â- V\T«S EMIL LARSON PlmtWb OrtMh TKeory Wltfat1a/l| Pali Ragara nfik, CMbas* ilS ianBallairii »u* CHICAGO shwCwsw iranckM: of MvA00^^9pnt^ Art. ___jt--acc^dite»^^osfj#ay«temaUc. Catalog and Examtsftfona ^^: Adjdjrar* ArnoT Hinahaw, Manager.^Sil^g 606 Kimball Ball, SE BURTON si ««OpfMtMBi RKCXTA SM Fine Arts \PM â€"â€" mtrnttm : DraxalSlW MARIONTYLER Teacher of*Sit Ht rf ifLsjIljfTinr â- â€¢ rr Interpreted STUDIO CLOSED ' "'Ilea. PhQMfflW â- :â- ' ,* â- "â- â€¢. Languaoe of Pura Joy.":^;.^;: Dancing is a universal language, but different to that other universal vehicle of emotion, music, in that whereas music may be the voice of either happiness or woe, dancing] speaks only of joy. And can we have too much joy in the world? The nor- mal man or woman, when bubbling j Seventy-eight and Morgan streets, Chicago, Thursday evening. Oct. 30. at 8 o'clock. MMPMM*^^M*:MMMfM Prelude and i^i%e-1»"'A'-"ttm:6r:'::';:";:"1"" .....v.*,.,.,,.;'............'.. Bach-Oldberai I'MMMMMt. Guy C, Allen _glf§f "idae to Bleep".............. .Flifener Land., of the Sky Blue Water" ..... ... Cadman over with happinesB. wishes that «s*Drlng»":............ Hlldach others should share his contentment I v Miss Clare iivingaton Happiness warms the genuine human 0p, i3_A.ndante Finale de Lucia heart and crowds out selfishness; so there we have another evidence that dancing is an uplifting, beneficent moral force. "Because the soul is progressive," said an American philosopher, "It never quite repeats itself, but In every act attempts the production of a newer and fairer whole. *Th!s appears in works both of the, useful and fine arts." . it iswjraanM4lte. aits jw»m this vitality, ihis gerni Of progression, and It is because dancing is one of the .arts, that the whole history 61 danc- ing, from earliest times, has been one of. evolution from lowest to highest. Instead of the crude dances of an- tiquity, the prosperous days of all the empires and republics have witnessed the development of dances highly ar- tistic in conception, intricate fn gvace, and multiple in variety. When di Lammermoor (tor left hand alone)____.........,-. Leschetlsky C sharp minor prelude, Op. 3, No 2 .............. Rachmaninoff Mias Enna Wilson Meditation, "Thais".........Massenet Chant sans paroles....TschalkowSky "Cansonetta" ... .V.....'. • ..d'Ambrosto Mr. David Jacobs .. .. .. "Love and JBSternity".........Morgan uBlaek-eyed S«san"^;,Grani>Schaefer "Cuckooclock" ... ;fv i Grant-Schaefei' Miss Clare Livingston Nocturne, Op. 87, No. 2-.......Chopin Mr. Gny C. Allen "The Big Strike at Slwaah".... .Fitch Miss Elsie EL Zlchy Shadow Dance, F sharp minor, Op. 39,..____............ MaoDowell Polonaise, C minor. Op. 46. No. 12.. ...................... . MaeDowell Miss Hrma Wilson Accompaniments by Prof. G. A. d America. light Opera. lasses. 426 Fine Opei aing its Building Oatrovosk.y Institute Ma/cians\ An^DjJkopment Ifed and racommelp^^fE^SAe-Ejt: ArUbur ICttnck. Edwin mm***. JlsPMoCottlow and other prominent aacletA '.â- â- â-  ns-MMwIMfWl ; Wateskint' ^|i iirtctar Rm IWsriies. 14 E Vti Iwm St. Sctml ef Maslc im PIANO. VOICE. •rMrt atMHK1 «S»t«>t«lt, «t«H fa*a*jlil*rir«l Joel Mossberg Roy David Brown j'Tmfhei ISkti^UHill^Chiciio" the Grecian empire was at meridian of power and culture, history reveals Grant-Schaefer and Mr. T>. K. Iltes. that dancing was one of the funda- ------â€"--------------------- mental and essential elements in the 8ERIE8 OP INFORMAL. RECITALS. scheme of education which produced The Sherwood Musks school an- the brilliant and balanced lives of the nounces a series of Informal recitals world's greatest sculptors and poets to be given in the Sherwood Music and sages. It was dancing that united school studios, 712 Fine Arts building, ARTHUR RANOUS Studio: 430 Fine Ptum«H . Chicago •OS Reb. W., Bvanltoa, Phoae 3e»-J soul and body high emotion. in the expression of 410 Michigan avenue, Chicago. G. Magnus SchuUs and Herbert BUrschner, members of the Sherwood Music school faculty, will give the following program Saturday after- noon at 4 O'clock. G Magnus Schutz, baritone; Her- bert Klrschner, violinist; Hasel Ray- mond, accompanist. Bols Bpals (1760).............Lully Traum durch die Dammerung..... .....,,.>.................. Strauss Am Meer 'i.... .>...'. .♦,,.. .Schubert .... Dawes WIentawski . ..Ries John Amos Van Pelt CONCERT OR A Stmdi* SIS Daris St. BCITALS BvMftM.III. Eliminate the Objectionable, Our own day witnesses <«ir like de- velopment. Restlessj Ingenuity has produced latterly a J number Of so- called "fancy" dantjes, and it has been inevitable ,that some of these should have found their critics. The fact remains, however, that the art Is at the-present moment at a stage of advancement never before attained,_______ and unbiased students of the genius £jGiod*y of terpalchorean movement are agreed nomance . . . that the "tango," danced as it should perpetual Motion ............., .-.â€" be danced, Is the no plus ^ltra »' »^Ah! Love But a .Day"....Protheroe rhythmic motion. * "Long Ago"......... ••« ...MacDowell "Danced aa it aboujd be daacedM «8on of MiBew.....,..^....Wattaije said, and I mean the expression to ap- "Loralne Loraine Xoree".......Capel ply to every dance to the category. A. Prise Song, Der Melstersinger..... dancer's ability In practise of the art ,,,,.,........*.,,„..>.... Wagner is in no way to be gauged by the nam- Adagio, ?aia**kmKi;-Wv* •• G°d**rd ber of daneea en repertoire, but alto- Masurka ..............vv...Borowskl gether by the style in which the move- .-...,...,. ~- - â- 'â- -'â- " â- "" ' 'â- â-  '£.' ......^.„.,;. menu and ' Steps; *re: executed. If, iSft WAS KNOWN HERB, ?;M^ there are those who danee the "tango" > Charles G. Gates, son of the lite objectionably, ever since the three- John w. Qates, who died suddenly step was inv-entefl, Just so have there yesterday at Cody, Wyo., was a been found persons who have -waltsed graduate of Lake Forest college and objectionably. I have ewes heard of a was well known* along the lake shore who was enca an inveterate some fifteen years ago. Alexander Lehman* Tescher oOlolin Mich. ... um«tu,ni BLD6. Arthur M. Burtog TEA CHERlmSTWGING Fine Arts Building, Chicago || OO tO\S WAHT TO ?UY KAGttME > tien&en&nool Jusic iteaor ty mr awuiiiiaw Lewis-lase CtiserTiiKj 401 KmJALL HAttT owitsch Bissing RUSSliN sVIOUMlST â-  Phea* ,â- " HarriamftMl Studio! Kimball Hill ^AfcBr PupilMic Studio: 520 Fine Arts A.>AlfrMiMlfi** 411 KlMnYAU CHICAGO I â- A«hOTrf««tai*atST^^t£iagr^lnT«lmie" (FoniMr SSvcib r^sm7 »00 kimbaU Hall CHICAGO S»i»dfor ProiH»ctM« HERBERT MILLER Vocal IsitfscE^ri^Po, RecttaU ^^716 Fiaefrts Bsildiag * »««f ? Ckicago m>m METROPOLITAN Caeml _ â- Â»Kt|a)|f ; by papih. Harry Wi Victim 603 KLMBALL HALL IMgi cmcAoo .mmm ':? S.'-vl MiUred .Went worth tAfervtm J. COUKTLAND COOPIR .. ' â- , â- - Of BBUIM Natural Me\ho^p^^iging Seta 500Sib«M««i yr c» J-S. OABKXBB. WlLfOBD) THE WILFORD H MUSiCiSTULllO Plsno :-: VqnU^T! some fifteen L. tfouglas Russell IJ^ICE sTBAGHER.** 719 Floe Arts Bi S3 Rood Bull Residence Phoae IOAOO \nv%pmvov Stewart 5S65 .-rV • : i 1 Sucult! Ivanced System TEACHERS LI m Carl Preetorius Bcm Leone Bradford t Cdnrni PUutia^Aeeomfnist and studio*: "*!f'Tyuiiai'< ' TTotenoTAtexander&ebMto Vic^ta^nuQ«ojiiid Tetclstr V • 431 WtSMAA^sWasnSJs ||| Co««m MaMetMM*. aasNBST L. SRlCOS Sala wy Watt. Ckiâ€"o. lit F. MAR ILL AC i/r VIOLINIST Kflsai^*JJN»S= Siodto; 422\kW**t l^a/bsraw Stout CHICAGO a«» Taftsa •a i i3S7fJrtprA»e.. Popular Saaday Afietieea CoMlll at UNCOUf TUKNJOt HAU .^^^^•r^rr^^rr^h ^-l^tSfmimoh.aits,*•** s„^,.,,, fe' mmMaaissiea 25 cejais^ «â- â- ;' -i Fariay Informatl»a Call Hf ^ itts <&h::-f KATUERINE SCHUSTER. VOICE TjfOaly Atihariseel Caiesfsjsaetsr Pats Paty Joaas MseJaad M â€"-â-  .' tti^s-eiaeiiitssaeiiiraiiai .â- ae»^»«sVa4B»^'i*^>*^^.?ew^*a*'y?*^***^ ii^.- l aa»ni»aa«*^a^ea»^ejfB^